The Marriage of Figaro

June 27 - August 2

 

 

Buy Tickets

Performance Dates: June 27; July 1, 3, 5, 11, 14, 17, 24 (Training Artists Matinee), 25, 29; August 1, 2

Group tickets for parties of ten or more are available.
For more information, contact our Box Office at 303-292-6700.

Handling fee and City of Central Admission Fee apply and are included in the ticket listing price.

The Marriage of Figaro

Noblemen Scheme. Servants Plot. Opera’s Greatest Comedy Ensues.

When it premiered, its class commentary scandalized the aristocracy in Vienna. Today, The Marriage of Figaro is the gold standard of operatic comedy. Mozart’s comic masterpiece captures a single day of romantic chaos, where clever servants Figaro and Susanna must outwit their lecherous master Count Almaviva, who’s determined to seduce the bride-to-be. As the servants scheme against their social superiors, disguises fail, romance blossoms, and the truth keeps sneaking out at the least convenient moment. Will true love triumph over power and privilege?

“I simply cannot fathom how anyone could create anything so perfect. Such a thing has never been done.” - Johannes Brahms

The Marriage of Figaro was the Revolution already in action.” - Napoleon Bonaparte

“…the best opera yet written!” – Wolfgang Amadeus Mozart

gold divider

The Marriage of Figaro Extras:

  • Free Pre-Performance Talks: one hour prior to every 2026 main stage performance. Seating is limited — arrive early!
  • Opening Night Dinner: Saturday, June 27th at 5:00 p.m. Mingle with directors, actors, and musicians over cocktails and dinner in the historic Teller House.

Performing Artists & Creative Team

AllCastCreative
Conductor

Marcello Cormio

Director

David Radamés Toro

Figaro

Andrew Wilkowske

Susanna

Maureen McKay

Dr. Bartolo (Figaro) / William Jennings Bryan (Baby Doe)

Ashraf Sewailam

Marcellina; Soloist (Concert)

Hilary Ginther

Cherubino; Soloist (Concert)

Kira Dills-DeSurra

Count Almaviva

Luke Sutliff

Don Basilio / Don Curzio

Alex Mansoori

Countess Almaviva

Erica Petrocelli

Barbarina; Chorus Soprano

Nisha Patel Caiozzi

Chorus Director / Assistant Conductor / Conductor (TA Matinee)

Tyler Tucker

Assistant Director

José Israel García

Resident Fight Choreographer / Stage Combat Instructor

Matt Herndon

Revival Set Designer

Nora Marlow Smith

Costume Designer

Glenn Avery Breed

Resident Lighting Designer

Abigail Hoke-Brady

Resident Wig and Makeup Designer

Candace Leyland

Costume Shop Manager and Supervisor

Alexandra Dill

Prop Supervisor

Caitlyn Murphy

Stage Manager

Kendra Green

Stage Manager / Assistant Stage Manager

Allison Ann Bailey

Assistant Stage Manager

Lorna Stephens

Assistant Stage Manager

Olivia Darling

Pianist / Continuo / Coach

Artyom Pak

Head of Music

Jeremy Reger

Antonio; Chorus Bass

Tres Hunter

Pianist Fellow; Supertitles

Lily Witemeyer

Chorus Mezzo

Kanade Motomura

Assistant Lighting Designer

McKenna Ebert

Conductor

Marcello Cormio

Recently: Conductor, The Barber of Seville, Sarasota Opera; La rondineManhattan School of Music; I Am a Dreamer Who No Longer Dreams by Sosa and Lim Jacobs, Syracuse Opera/Tri-Cities Opera; Don GiovanniSarasota Opera; Les pêcheurs de perlesSarasota Opera; La traviata, La Musica Lirica Opera Festival, Italy; Music Director, Lexington Chamber Orchestra 

Director

David Radamés Toro

Previously at CCO: Assistant Director, Il trovatore (2018)  

Recently: Director, Tosca, Florentine Opera; Zorro, Arizona Opera; Falstaff, Portland Opera; Zorro, Opera San José; Opera Outdoors: Ópera al Aire Libre 2024, Opera Omaha; Cruzar la Cara de la Luna, Austin Opera 

Figaro

Andrew Wilkowske

Previously at CCO: Dr. Bartolo, The Barber of Seville (2025) 

Recently: Doctor Bartolo, The Barber of Seville, Minnesota Opera; Don Alfonso, Cosí fan tutte, Madison Opera; All Is Calm: The Christmas Truce of 1914, Asolo Repertory Theatre, FL; Baron de Pictordu, Cinderella, Opera Montana; VOXSPEX, Opera Reading Project; Gary, Ofrenda by Sosa and De Los Santos, Minneapolis Center for the Performing Arts; Bass Soloist, Mass of Guðbrandur by Rúnarsdóttir, Trinity Lutheran Church, Stillwater, MN

Susanna

Maureen McKay

Previously at CCO: Laurey, Oklahoma! (2012) 

Recently: Callie van Lew, Intelligence, Virginia Opera; Papagena, The Magic Flute; Hirt, Tannhäuser; Zdenka (cover), Arabella; Laura Brown (cover), The Hours; Adina (cover), L’elisir d’amore, The Metropolitan Opera; Gretel, Hänsel und Gretel, Utah Opera; The Creation, Symphony of the Americas; Laila, A Thousand Splendid Suns, Seattle Opera

Dr. Bartolo (Figaro) / William Jennings Bryan (Baby Doe)

Ashraf Sewailam

Previously at CCO: Dr. Bartolo, The Barber of Seville (2025); The Speaker, The Magic Flute (2018); Balthazar, Amahl and the Night Visitors (2016); Director, Othello (2023) 

Recently: Dr. Bartolo, The Barber of Seville, Opera San Antonio; Samaan, Sindbad: The Omani Sailor, Royal Opera House Muscat/Müpa Budapest; Commendatore, Don Giovanni, Madison Opera; Dulcamara, The Elixir of Love, New Orleans Opera; Dr. Bartolo, The Barber of Seville, Lyric Opera of Kansas City, Des Moines Metro Opera, Seattle Opera; Giove, La Calisto, Opera Memphis; Sparafucile, Rigoletto, Opera San Jose 

 

 
Marcellina; Soloist (Concert)

Hilary Ginther

Previously at CCO: Emma Jones, Street Scene (2024); Emilia, Othello (2023) 

Recently: Marcellina, Le nozze di Figaro, Opera Columbus; Olga, Eugene Onegin, Opera Columbus; Giovanna Seymour, Anna Bolena, Musica Viva Hong Kong; Rosina, Il barbiere di Siviglia, Virginia Opera; Maddalena, Rigoletto, Opera Columbus; La Maestra delle Novizie, Suor Angelica, Opera Omaha; Carmen, Carmen, Amarillo Opera; Alto Soloist, Handel’s Messiah, The National Chorale 

Cherubino; Soloist (Concert)

Kira Dills-DeSurra

Previously at CCO: Prince Orlofsky, Die Fledermaus (2022); Soloist, ENCORE: A Musical Revue (2018); Second Lady, The Magic Flute (2018); Mercédès, Carmen (2017)  

Recently: La Ciesca, Gianni Schicchi, Salt Marsh Opera; Hansel, Hansel and Gretel, Helena Symphony; Cherubino, Le nozze di Figaro, Opera Idaho; Lola, Cavalleria Rusticana, Opera Colorado 

Count Almaviva

Luke Sutliff

Previously at CCO: Figaro, The Barber of Seville (2025); Soloist, CCO in Concert (2025) 

Recently: Figaro, Il barbiere di Siviglia, Canadian Opera Company; Silvio, Pagliacci, Lyric Opera of Chicago; Count Almaviva, The Marriage of Figaro, The Atlanta Opera; Wolfram Von Eschenbach, Tannhäuser, Houston Grand Opera; Belcore, The Elixir of Love, Santa Fe Opera; 2025 Winner, Baritone, The Metropolitan Opera Laffont Competition 

Don Basilio / Don Curzio

Alex Mansoori

Previously at CCO: Jester, Once Upon a Mattress (2025) 

RecentlyKronprinz, Silent Night, Opera Orlando; Pong, Turandot, Opera Colorado; Governor/Vanderdendur/Croupier, Candide, Cincinnati Symphony; Chip, On the Town, Opera Naples; Featured Tenor Soloist, A Goyishe Christmas to You!, New York Festival of Song

Countess Almaviva

Erica Petrocelli

Recently: Musetta, La bohème, LA Opera; Micaëla (cover), Carmen, The Metropolitan Opera; Jitka, Dalibor, Bard Summerscape; Cio Cio San, Madama Butterfly, Colorado Springs Philharmonic; Fiordiligi, Così fan tutte, LA Opera; Soloist, Mahler Symphony No. 4, Aspen Music Festival and School; Donna Anna, Don Giovanni, Sarasota Opera; Pamina, The Magic Flute, Opera Theatre of St. Louis 
 

Barbarina; Chorus Soprano

Nisha Patel Caiozzi

Previously at CCO: Nightingale of Samarkand (cover) & Ensemble, Once Upon a Mattress (2025); Ensemble, The Knock (2025) 
 
Recently: Soprano Young Artist, SongStudio 2026, Carnegie Hall; Cupidon, Orphée aux enfers, Fisher Center at Bard College; Lily, Shir HashirimYIVO Institute for Jewish Research 

Chorus Director / Assistant Conductor / Conductor (TA Matinee)

Tyler Tucker

Previously at CCO: Conductor and Pianist Fellow (2025) 

Recently: Music Director & Conductor, All Is Calm: The Christmas Truce of 1914 by Rothstein, Tri-Cities Opera, NY; Assistant Conductor, Rigoletto, Tri-Cities Opera; Assistant Professor (Vocal Coach), School of Music, The University of Oklahoma; Lecturer in Vocal Coaching and Teaching, Binghampton University; Resident Artist Pianist, Opera Colorado 

 
Assistant Director

José Israel García

Recently: Assistant Director, Turandot, The Atlanta Opera; Le nozze di Figaro, The Atlanta Opera; La traviata, The Atlanta Opera

Resident Fight Choreographer / Stage Combat Instructor

Matt Herndon

 Previously at CCO: Fight Choreographer, The Girl of the Golden West (2024), Street Scene (2024), The Pirates of Penzance (2024), Romeo and Juliet (2023), Kiss Me, Kate (2023), Othello (2023), Two Remain (2022), Die Fledermaus (2022), The Light in the Piazza (2022)   

Recently: Fight Consultant, A Masked Ball, Opera in the Pines; Fight Choreographer, Carmen, University of Indiana Jacobs School of Music; Sweeney Todd, Jacobs School of Music; Roméo et Juliette, Jacobs School of Music 

Revival Set Designer

Nora Marlow Smith

Previously at CCO: Associate Set Designer, The Barber of Seville (2025) 

Recently: Set Designer, Annie, Arrow Rock Lyceum Theatre, MO; Disaster!Waitress, Rent, Pipeline, Omaha Community Playhouse; Once on This IslandThe Mountaintop, The Black Theatre Troupe of Upstate New York; Sweeney Todd, Urinetown, Fiddler on the Roof, Proctor’s Collaborative School of the Arts, NY; Costume Designer The Onion: A New Opera, Sawyer & Bashford Huntington Theatre 

 

Costume Designer

Glenn Avery Breed

Recently: Costume Designer, Oklahoma!, Pensacola Opera; La traviata, Pensacola Opera; Fiesta of Five Flags, Janiec Opera at Brevard Music Center; Il trovatore, North Carolina Opera; Department Chair and Professor of Costume Design, Costume Construction, Millinery, Corsetry and Basic Tailoring, University of West Florida 

Resident Lighting Designer

Abigail Hoke-Brady

Previously at CCO: Lighting Designer, The Barber of Seville (2025), The Knock (2025), Once Upon a Mattress (2025), The Pirates of Penzance (2024), The Girl of the Golden West (2024), Street Scene (2024), Romeo & Juliet (2023), Kiss Me, Kate (2023), Othello (2023)  

 

Recently: Lighting Designer, A Doll’s House, Two River Theater; Little Miss Perfect, The Olney Theater; Intelligence, Virginia Opera; La traviata, San Diego Opera; Tosca, Pittsburgh Opera; Pagliacci, Seattle Opera; Roméo et Juliette, Toledo Opera; Don Pasquale, Opera Omaha

Resident Wig and Makeup Designer

Candace Leyland

Previously at CCO: Wig and Makeup Designer, The Barber of Seville (2025), The Knock (2025), Once Upon a Mattress (2025); Wig and Makeup Assistant, The Pirates of Penzance (2024), The Girl of the Golden West (2024), Street Scene (2024), Madama Butterfly (2019), Billy Budd (2019 

Recently: Wig & Makeup Designer, The Marriage of Figaro, Opera Omaha; Wigs, Hair and Make-Up Designer, La traviata, Opera Columbus; Wig Designer, The Rocky Horror Show, The Carnegie; Assistant Wig & Makeup Designer, Madama Butterfly, Pittsburgh Opera; Don Giovanni, Opera Omaha

Costume Shop Manager and Supervisor

Alexandra Dill

Previously at CCO: Stitcher / Dresser, The Rape of Lucretia (2008), West Side Story (2008), Susannah (2008) 

Recently: Soft Goods Supervisor, The Boys, Prime Video; Red One, Prime Video; Vought Rising, Prime Video 
 

Prop Supervisor

Caitlyn Murphy

RecentlyProp Supervisor, Marcel on the Train, Classic Stage Company; Prop Design, Room 1214, 59E59 Theatres, NYC; Stargazers, Page 73 Productions, NYC 

Stage Manager

Kendra Green

Previously at CCO: Stage Manager, The Barber of Seville (2025), The Girl of the Golden West (2024)Assistant Stage Manager, Street Scene (2024)  

Recently: Production Stage Manager, La traviata, Opera Colorado; Il trovatore in Concert, Opera Colorado; La bohéme, Opera Colorado; Stage Manager, A Midsummer Night’s Dream, Colorado Ballet; The Great Gatsby, Colorado Ballet; The Nutcracker, Colorado Ballet 

Stage Manager / Assistant Stage Manager

Allison Ann Bailey

Recently: Assistant Stage Manager, I & You: The Musical, Olney Theatre Center; The Crucible, Washington National Opera; Little Miss Perfect, Olney Theatre Center 

Assistant Stage Manager

Lorna Stephens

Recently: Assistant Stage Manager, The Tales of Hoffmann, The Florentine Opera; Don Giovanni, The Florentine Opera; The Flying Dutchman, Des Moines Metro Opera 

Assistant Stage Manager

Olivia Darling

Previously at CCO: Stage Management Intern, Dido and Aeneas (2021), Rigoletto (2021) 

Recently: Calling Stage Manager, The Barber of Seville, Charleston Opera Theatre; Assistant Stage Manager, The Little Prince, The Dallas Opera; La traviata, Opera Colorado 

Pianist / Continuo / Coach

Artyom Pak

Previously at CCO: Pianist, Continuo, The Barber of Seville (2025)

Recently:  Music Director, Apprentice Artists Program, Sarasota Opera; Chorus Director, La bohéme, Sarasota Opera; The Merry Widow, Sarasota Opera; Il trovatore, Sarasota Opera; Susannah, Sarasota Opera; Assistant Conductor, Così fan tutte, Sarasota Opera; Pianist, L’enfant et les sortilèges, The Julliard School; Dialogues des Carmélites, The Juilliard School 

Head of Music

Jeremy Reger

Previously at CCO: Festival Head of Music (2025); Assistant Conductor, The Knock (2025), Street Scene (2024), Kiss Me, Kate (2023), The Light in the Piazza (2022)  

Recently: Co-chair, Voice + Opera, & Associate Professor of Vocal Coaching, University of Colorado Boulder School of Music; Music Staff, Virginia Opera; Opera Steamboat; Eugene Opera; Hawaii Opera Theater; Mill City Opera; St. Paul Chamber Orchestra; Minnesota Opera 

 

Antonio; Chorus Bass

Tres Hunter

Recently: Flemish Deputy, Don Carlo, The Dallas Opera; Baobab/Hunter, The Little Prince, The Dallas Opera; King/Businessman, The Little Prince, The Dallas Opera Outreach 

Pianist Fellow; Supertitles

Lily Witemeyer

Recently: Coach & Rehearsal Pianist, The Cunning Little Vixen, University of Tennessee Opera Theatre; Children’s Chorus DirectorCarmen, Knoxville Opera; Rehearsal & Orchestra Pianist, Cendrillon, Janiec Opera Company, Brevard Music Center 

Chorus Mezzo

Kanade Motomura

Recently: Meg Page, FalstaffShepherd School Opera, Rice University; Ruggiero, AlcinaShepherd School OperaHansel, Hansel und GretelTri-Cities Opera (upcoming)

Assistant Lighting Designer

McKenna Ebert

Previously at CCO: Assistant Lighting Designer, The Barber of Seville (2025), The Knock (2025), Once Upon a Mattress (2025); Lighting Designer, CCO in Concert (2025) 

Recently: Lighting Designer, The Precipice, Irondale, NYC; Assistant Lighting Designer, A Guide for the Homesick, DR2 Theatre, Off-Broadway; Left on Tenth, Broadway; The Who’s Tommy, Broadway & Goodman Theatre, Chicago; Peter Pan, National Tour

Explore the Season

Performance Location

Central City Opera House
124 Eureka St.
Central City, CO 80427

Music by

Wolfgang Amadeus Mozart

libretto by

Lorenzo Da Ponte

Based on the 1784 play by Pierre Beaumarchais

Sung In

Italian
(English supertitles)

Run Time

Approx. 3 hours, including one 20 minute intermission