pleads for her condemned son’s life while suffocating under the publicity’s scrutiny,
but by night she runs a private, bucolic convent while offering sage advice. Of
course Ms. Zifchak is only acting in both scenarios, but her performances are
so convincing one would think she was leading a double life.
reference to playing the tenacious Mrs. De Rocher in Dead Man Walking and the iconic Mother Abbess in The Sound of Music.
|Maria Zifchak’s headshot as featured on her website.|
Man Walking opened on July 5, but Zifchak still finds herself
navigating the show’s moral gray area as the mother of a death row inmate who
raped and murdered a teenage girl. “There are still some things that are hard
to understand,” said the seasoned mezzo-soprano. “How does a person feel having
a family member, someone that they created, do such a terrible thing? I’m not a
mother. I’ve said that through this whole rehearsal process; I don’t know how
I’d handle it.”
try to think in a motherly way, but you can almost do that by thinking about
your family,” she stated. “Even with nieces and nephews you worry about them
and think what their future will be, so that’s kind of motherly.”
season in Central City. “She seems like the kind of person who didn’t have that
great of a life, but she did the best she could with raising her kids. No
matter how you raise your kids, you are a product of your environment,” Zifchak
said of Mrs. De Rocher. “I still try to discover the ah-ha moments to get her
|Zifchak, as Mrs. De Rocher in Dead Man Walking, says goodbye to
her son Joseph, played by Michael Mayes. Photo by Mark Kiryluk.
moonlight in a cheerier role where she’s often spotted high-fiving the Von Trapp children and cracking jokes with cast members. The Sound of Music, opening on August 2 in Denver, may be a lighter piece, but Zifchak is
facing yet another challenge: this will be her first musical since high school.
“The show’s a completely different tone. It’s laidback, its fun, but at the
same time there’s a lot of stress because everybody
knows this show,” she proclaimed robustly.
“Climb Ev’ry Mountain,” one of musical theatre’s most well-known anthems. “It’s
a little nerve-racking, but the song brings out your inner strength,” she said.
“Mother Abbess is completely different structure-wise. She lives in a stricter
world; there were rules, there were things you had to do in order to run this
abbey. It was just a more structured life, easier in a way than Mrs. De
she’s playing two mother figures in one season. “I guess typecasting bothers
some people, but if it makes the show more believable then you’ll be cast how
others see you!” quipped Zifchak.
she still makes time to hike with her three dogs and even people-watch at the
local casinos. Her time here may be approaching its end, but Zifchak is
savoring each moment. “This summer has been a challenge; it has been the gamut
of emotions,” she said deliberately. “I’m glad to have these roles because they’re not that
big – they make their impact, and then they go.”
Walking’s most poignant moment, Zifchak as Mrs. De Rocher asks Sister Helen
to take a picture of her and her sons knowing that their family of four will
soon be reduced to three. Zifchak takes the center seat, adjusts her hair, and
proudly gathers her boys around her. The camera flashes, capturing the smiling
family for just a moment before it disappears, fading from everywhere but our
of Dead Man Walking on Friday, July 25,
The Sound of Music from August 2-10!